Setting limits is vital in any arts project – and certainly one of this potential scope. @ April 2024, I have elected to make the following choices to frame subsequent initial work.
Fieldwork at the ‘active regeneration’ artwork site by A/Prof Caroline Hauxwell’s students, March 2024 (Image Keith Armstrong)
The project's starting focus will predominantly be on:
1: Observing/'coming to terms' with the plant, fungal and invertebrate life and the supporting atmospheres that are profoundly governing and directing the evolution of the biological life at the site. {i.e. the on-site/in range non-human intelligences}.
2: Investigating the multiple, entangled 'intelligences' perceivable on site: consistent with the driving concept that 'intelligence' (a notoriously difficult to define term) is just one among many ways of being in worlds; and that it is profoundly entangled - given that everything in the more than-human (and of human) world is hitched to everything else. Hence, intelligence 'in the field' should not be categorised or reduced to something that is necessarily 'like us'.
3: Developing commonality with First Nations 'right ways' of knowing and understanding intelligence within Country.
4: Using learnings from 1 - 3 to frame direct and shape the imagined symbiotic art forms.
FAI will therefore attempt to avoid repeating theories/practices that have often (reductively) chosen to categorise ‘intelligence’ within human terms, as a implicit pillar of humanity’s longstanding taxonomic and anthropocentric project.
FAI also recognises and values the unique values of Indigenous biocultural knowledge and practices, and intends that the project’s key questions should remain constant with ‘cross-cultural’, ‘two-way’ or ‘right-way’ knowledge making/re-reviving . (See this related interview on ethnobotany and biocultural knowledge with Dr. Gerry Turpin from my prior project Carbon_Dating).
These stated foci build on my past projects (like the native grasses themed project Carbon_Dating) to recognise plants in so many ways define our biocultural environments – and therefore our capacity to live and share worlds with them.
What’s in it For Us? vs. Rights to Be/Become
The FAI team are effectively therefore acting as ‘native plant (and other species) guardians’ – playing our small part in guaranteeing their capacity to flourish.
Plants are super-critical to our survival because they provide us with oxygen, sustenance, clothing, medicine and more. However, the flourishing of any of these non-humans should not simply be dependent on their utilitarian use. Plants, like all other non-human life, have their own rights to be and become, and on their own terms. (This idea is endemic to the mission statement of the Australian Earth Laws Alliance ‘rights of nature’)
Recognising the Rights of Nature in law, means that we reject the notion that nature is human property and we legally recognise the rights of the natural world to exist, thrive and evolve. Recognising that the natural world is just as entitled to exist and evolve as we are, necessarily changes the way humans act.
‘Rights of Nature’ is grounded in the recognition that humanity is just one member of the wider earth community, and that we have evolved with, and are dependent upon, a healthy, interconnected web of life on Earth. Rights of Nature laws create guidance for actions that respect this relationship.
Unexpected colours of introduced grass at the artwork site, 2024 (Image Keith Armstrong)
This assertion doesn’t suggest that we shouldn’t harvest or eat plants or use them in other ways: However critically we should act respectfully towards them – and consider them as much more than a back grounding to our human worlds (something Wandersee and Schussler noted in 1999 that stems from our innate ‘plant blindness’).
FAI’s aim therefore is that the site/artwork will evolve predominantly according to its own needs – and not ones that necessarily suit humankind. Its worth noting that science based management decisions, such as weed control or replanting, are also therefore understood and planned within that altruistic process.
The intention of this series of posts is to develop some of the philosophical threads that will bind the project.
Forest Art Intelligence (FAI) comprises
A regenerating forest; which is also regarded as the project’s meta-artwork
a series of planned, temporal actions that our art and science team take to encourage that forest’s regeneration.
a series of on-site hybrid creations (named ‘Art Intelligences’) invented as the project unfolds that evolve to occupy their own ecological ‘niches’ that can assist supporting that forest’s growth.
a public engagement strategy/campaign to – illuminate the forest’s unique processes of intelligent natural regrowth – promote an more inclusive definition of intelligence that engages with the non-human world.
Ultra narrow depth of Iron Bark (Image Keith Armstrong)
The FAI project therefore poses the following key questions:
How to develop a series of speculative, embedded forms, called ‘Art Intelligences’, capable of growing and evolving alongside a regenerating forest that can ALSO benefit that forest’s health.
How might such Art Intelligences slowly find, and then occupy, their own intelligent ‘niches’, within that forest’s ecology
How might such artworks bring attention to the extraordinary non-human intelligences that underpin natural systems AND harness them to inspire and direct this experimental sci-art process.
Dr. Hauxwell has been using adjacent areas at SERF and part of the artwork/revegetation site for her research experiments into beneficial soil fungi – which have an end outcome to reduce pasture dieback that is caused by mealy bugs. (The bug in question is the paspalum mealybug, Heliococcus summervillei – and her work is of particular relevance to the pasture industry given that these invasive bugs devour Buffalo grass which is a key, commercial pasture grass, (and interestingly a notable environmental weed in conservation contexts). To do this work Caroline and her research team have become experts in isolating fungi from soils of forests and pastures.
Collecting soil samples along transects at SERF – across the artwork site (Image Keith Armstrong)
Immediately before, and following the burn of the SERF wet gulley/artwork site A/Prof Hauxwell had initiated a periodic soil sampling regime to learn how the fungal composition of the site might change according to the burn – something which also seemed very relevant to us given we needed proxy ways to determine the improvement of soil and plant health as the artwork process evolves.
So on 11/3/24 Dr. Eleanor Velasquez and I joined the soil sampling process at SERF – to understand and observe more about the scientific methods underway.
Soil samples from the artwork zone, collected and kept cool (Image Keith Armstrong)Soil samples from the artwork zone (Image Keith Armstrong)Artwork/site survey team, March 2024 (Image Keith Armstrong)Site sampling notation (Image Keith Armstrong)
As per the prior study, samples would be taken in transects across the whole site (5 points per transect spanning the strip that we burned last year). Her students and postgraduate team had been analysing those soil samples for the presence of Purpureocillium (see prior soil biology investigation post).
Purpureocillium lilacinum is commonly isolated from soil, decaying vegetation, insects, nematodes and as a laboratory contaminant. It is also a causative agent of infection in human and other vertebrates (Luangsa-ard et al. 2011).
Purpureocillium lilacinum (Subcultures from broth) (Image Keith Armstrong)
During our discussions we learnt that she would be continuing this work into 20924 – and she invited Eleanor and I to join her class which we have now done on a few occasions. The intentions of her study were to pursue three themes ..
Soil Ecology: The isolation of facultative root endophytes, particularly P. lilacinum, to determine the effects of burning on abundance and diversity, and diversity within P. lilacinum.
Media Development: Development of media for the production of P. lilacinum variants as an inoculum (that is – a liquid solution of the fungi that roots can grow through to make them resistant to Mealy bug) – which leads to the third area of interest
The Good Bugs: The application of P. lilacinum variants as an inoculant against pasture mealybug.
Keith And Dr. Eleanor Velaqsquez in the soil biology lab, March 2024 (Image Keith Armstrong)
For me it has been a fascinating return to the analogue chemistry methods I remember only from Year 10 (!) – and has included both sampling soil to the required protocol at SERF and then observing its analysis, culturing and the isolation of so called ‘morphotypes’ (in essence any of a group of different types of individuals of the same species in a population/individual fungi) for further growth on agar plate cultures. (An agar plate is a petri dish that contains a growth medium solidified with agar, and is used to culture microorganisms).
Student preparing soil solution containing bacteria onto an Agar plate (Image Keith Armstrong)Soil fungi experiments with A/Prof Caroline Hauxwell, 2024 (Image Keith Armstrong)
Inoculation medium/broth with dissolved fungi – ready for applying to grass plant roots (Image Keith Armstrong)A mixture of different fungi to be described and isolated. (Image Keith Armstrong)Notes on the composition (numbers of morphotypes and characteristics) of the fungi cultured over the past week – recorded by a student (Image Keith Armstrong)
The descriptions alone are evocative and the structure, form and ‘intelligence’ of this form suggest fruitful investigation ahead!
Preparing agar plates for the second stage of growth (Image Keith Armstrong)
The exciting idea that Caroline has raised – which further cements the fruitful connections emerging between the arts and sciences, is “to do a longitudinal study of the soil microbiome by adapting the sampling this year (across the burn site) to compare the dryer slope with the burned gully below.
Her (and our) interest would therefore be to see the changes in soil fungal diversity over time, particularly once trees are established.” At this stage she is looking to do this highly technical, lab based work over several years – which will allow this project an extraordinary look into the health of the soil as the artwork develops. Exciting times ahead – so many thanks to A/Prof Hauxwell for your kindness, interest and engagement on this co-beneficial process 🙂
Purpureocillium lilacinum (Subcultures from broth) (Image Keith Armstrong)
Transect walks are a common method in conservation biology (Walpole and Sheldon 1999) and are used in participatory rural appraisal methods to uncover local information across landscapes (Chambers 1994). Transect walks involve walking in a straight line for a pre-defined distance, recording geographic coordinates every fifty meters or so, and writing down the kinds of environmental features around that point.(source)
Sunset @ SERF, Passive Regeneration Area (Image Keith Armstrong)
The first few weeks of any project involve processes of listening, observing and thinking through – and even more with a site like this that can only be interrogated through experience. Obviously open experimentation is valuable as part of this.
Sunset Visitor (Image Keith Armstrong)
Transect walking is something that I’d done with scientists before on other projects before – and was something that we’d done during the survey of plants during the winter before this project began (see list below this post) – walking over a few 100 metres – with posts set in the ground for surveying every 50 meters?
Cablecam setup, SERF passive regeneration area, 28/2/24 (Image Keith Armstrong)
It struck me that I could so something similar with a cable mounted camera – in order to record vegetation along the entire line rather than at set markers : Sure there would be camera blur – but maybe a time-lapse process taking stills would work better – these were my first experiments..
This method used time-lapse: NB need to debug the start stop nature of the unit – but the capture of sunset – And sharper images per frame are handy – esp. for cataloguing/identification purposes
Side views – offer capacity to experiment with other focal planes along continuous transect
Passive Plot, Species Map 1/7/23
The following species map was gathered by David Tucker and Gabrielle Lebbink on 17/7/23. NB this was a dry season assessment – and further species were evident after rains by Feb 2024.
Species No.
Species
Provenance
Life Form (Perrenial/Annual-Graminoid/Forb/Shrub/Climber)
1
Cynodon dactylon
Exotic
PG
2
Digitaria spp.
(awaiting seed head to confirm and id species
Following discussions with the team – notably Gabrielle Lebbink and Eleanor Velasquez – we began to open up a new thread around the possibilities of soil inoculation – that is – finding ways to move material from eco active parts of the existing forest to the new sites. This investigation is fuelled by/consistent with the need for the design of the artwork work to be of positive net benefit to the ecology of the emerging forest.
Gabrielle supplied some great information about ‘Re-wilding microbial/soil based communities’:
Contos P, Wood JL, Murphy NP, Gibb H. Rewilding with invertebrates and microbes to restore ecosystems: Present trends and future directions. Ecol Evol. 2021;11:7187–7200. https://doi.org/10.1002/ece3.7597. Downloaded y on [02/02/2024].
This article offered us some pointers of how we may be able to enhance soil biodiversity (potentially a part of an art/science process of trslocation of materials from the current forest to teh regeneration zone). I noted of that paper ..
Re-wilding of Microbe Communities (Notes, KMA 7/2/24)
Notes from: Contos P, Wood JL, Murphy NP, Gibb H. Rewilding with invertebrates and microbes to restore ecosystems: Present trends and future directions. Ecol Evol. 2021;11:7187–7200. https://doi.org/10.1002/ece3.7597. Downloaded from https://onlinelibrary.wiley.com/doi/10.1002/ece3.7597 by National Health and Medical Research Council, Wiley Online Library on [02/02/2024].
CONTEXT: Invertebrates/microbes are key drivers of landscape scale ecosystem functions such as nutrient recycling and carbon sequestration, but many of these may still be functionally absent decades after a restoration process. The aim of any restoration project should actually be to reinstate ecosystem function and reestablishment of self-organising communities; and yet restoration ecologists rarely consider invertebrates and microbes which these make up the vast bulk of biodiversity and may drive key ecosystem recovery processes. Currently there is limited use of this approach in re-wilding projects – and often poor understanding of its importance.
Stepwise restoration – i.e. a species at a time – is becoming less realistic in a dynamic and rapidly changing world. Typical approaches to restoration involve plant only and plant and animal only approaches – which operate under what the authors call the ‘field of dreams paradigm’ – i.e. that if you build the habitat they will come! Such attempts often therefore ignore the ‘unseen majority’.
Normally microbial species translocations are done for the benefit of other species (i.e. to encourage back butterflies or for the benefit of a particular plant health)) rather than for themselves per se (e.g. introduced AMF fungi) – without considering whole communities. Furthermore, in most cases microbes are rarely monitored afterwards anyway. Hence some environments may remain functionally unrecovered 10 or 20 years later. NB The process of microbial re-wilding is more common in soil inoculation studies (soil transplants).
Diagram from paper showing how we might move material across the ‘Inhospitable Matrix’ that bounds the artwork site: “Leaf litter samples taken from remnant patches and moved into revegetation patches will carry a multitude of invertebrate and microbe species and individuals. Inset: detritivorous mites and springtails taken from a leaf litter sample”.
Whole of community microbial (and invertebrate?) rewilding is often practical due to ease of manipulation – e.g. in forest litter invertebrates and microbes (e.g. detritovores) are critical components – (see p7193). Whole of community rewilding typically involves transporting small subsets of whole habitats – normally from a nearby remnant site to a revegetation plot that maybe separated by an ‘inhospitable matrix’ – e.g. a pasture – and may include elements such as soil, dead wood and pond mud.
“Collecting soil from the whole rhizosphere region of large established trees is impractical. Collecting rhizosphere communities by sampling 1 m out from the base of trees using a soil corer is a viable methodologic approach and is a more targeted way of rewilding microbial communities than current soil inoculation studies. Previous research has demonstrated that rhizosphere signatures can be detected using this approach for microbe communities from rainforest plant species despite the complex overlapping root networks (Wood et al., 2020)”
Its critical to avoid failures which will result in overall net loss of biota in an already stressed environment). The authors therefore suggest considering:
suitability of renewed habitat to accommodate the microbes: The revegetation site should be ameliorated and receptive (physical and chemical limitations of soil) – and the source site very carefully scanned for invasives and pathogens.
dispersal limitations of some invertebrates and microbes
Distance of new site from existing vegetation ideally should not be far
May work better in cool wet conditions when microbes and invertebrates are active and closer to surface of litter level (n.b. authors outside Australia)
Broadly speaking a project should
Set restoration goals
Evaluate the restoration trajectory
Choose what to re-wild
Conduct post re-wilding monitoring
Evaluate success/failures.
“Litter communities contain a breadth of species, including trilobite cockroaches, Laxta granicollis (center), and armadillid isopods (top right). These taxa are often overlooked during rewilding projects, despite their immense contribution to biodiversity and their influence on ecosystem functions such as decomposition. Photo credit: L Menz”
These interesting learnings dovetailed with the research one of the other science academics (A/Prof Caroline Hauxwell) who is investigating diversity of fungal communities in soil, including Purpureocillium, which is a interesting fungus associated with pasture health and resilience to pests and diseases. She is interested in the impacts of burning on beneficial fungal symbionts (and thus the artwork site is an ideal choice) – something that ties in with her work on management of the pasture mealybug Heliococcus summervillei, which causes ‘pasture dieback’ (research that is co-funded with Meat and Livestock Australia). A/Prof Hauxwell is one of Australia’s foremost experts in this area and her research is extensive and widely recognised.
Dr. Hauxwell had already independently set up an experiment to monitor the artwork areas pre and post burn – so we were all ears to her process! Generously she invited Eleanor and I to join her class and get involved in some of her soil science – we jumped at this opportunity as an interesting creative opening.
To get more of a handle on this work – here are some excerpts from an email that A/Prof Caroline Hauxwell subsequently wrote – as part of a group email in Feb 2024.
We welcome, Keith Armstrong, who initiated the burn at SERF and who is very interested in this work. Welcome, Keith.
“For most of you the work really starts in week 3 with the field trip to collect soil samples at SERF.
The project work this year is a Deep Dive on Soil Endophytes. We’ll be focusing particularly on Purpureocillium lilacinum. The project builds on sampling that we did before and shortly after a burn site at SERF for capstone last year.
The student data identified changes in Purpureocillium abundance and distribution in the burned area.
Fungal culture (Image c/o Sean Martin, created with particiapnts at the 2021 Woodford Bio Lab)
We also know from our research that P. lilacinum isolates have significant morphological diversity, but ITS sequencing has shown only 1 sequence/variant. We hope to look a bit more closely at P. lilacinum diversity in this project. All groups will also have access to 3 PCR primers for Sanger sequencing: one to characterise fungi to genus (ITS) and 2 others to take a deep dive on the identity of P. lilacinum morphotypes. For reference see Naimul’s work on Metarhizium. (https://eprints.qut.edu.au/view/person/Islam,_Shah.html) and https://doi.org/10.1016/j.funeco.2022.101179.
Soil Ecologists: The isolation of facultative root endophytes, particularly P. lilacinum, the effects of burning on abundance and diversity, and diversity within P. lilacinum.
Media Types: Development of media for the production of P. lilacinum variants as an inoculum
Fungal culture (Image c/o Sean Martin, created with participants at the 2021 Woodford Bio Lab)
All students (plus artists and the science team) will take part in soil sampling .. at SERF. This will take soil samples at 5 points along a transect across a strip that was burned last year See picture attached). 2 sample points will be outside the burn, and 3 inside it. All will plate out their soil samples onto selective media.
For further background of this process see a report of the 2021 lab run by A/Prof Caroline Hauxwell at Woodford
Pre 2000’s the accepted narrative for establishing reforestation projects was preparation >plant>photo opp> move on. 3 year post reforestation maintenance programs is now the narrative in most projects depending on location.(Marcus Yates, 2024)
The following are notes I’ve made to track the plan for the regeneration process:
Suggested Planting date in active site approx. Thurs April 25th
Preparation
Slash the area 6 weeks prior to date of planting 21 March 2024
Position site pegs across gully from east -west
Spray 1m diameter circles around planning site with appropriate herbicide and emerging woody environmental weeds (Biactive – surfactant does not harm aquatic organisms) with the addition of Fulvic acid which increases biodegradability of the glyphosate molecule, increases soil carbon and reduces herbicide/water ration by 1/3) + a squirt of dishwashing liquid (breaks the surface tension of H2O thus increasing contact with the cuticle of leaves
Spray again 1 week prior to planting. April 18th 2024
SERF Aerial burn Site (Image courtesy QUT REF Team)
Planting
Purchase selected spp from local nurseries. Ensures hardier stock grown from parent trees from the local provenance
Sun “harden’ stock in full sun for 2 weeks prior to planting April 9th 2024
Mechanical dig planting hole a day or two before planting date. April 23rd
Must have adequate sub soil moisture on the day of the planting.Otherwise reschedule
Saturate plants on the morning of the planting
Group demonstration of the techniques used to eliminate/minimise transplant stress
Place inoculated soil in planting hole
Secure weed mat and tree guard. Tree guards create a micro climate of increased humidity and protects against the wind, reducing the plant losing moisture from transpiration (reduces transplant stress). Protects from herbicide overspray and animals grazing (wallabies and hares)
Overlapping Eucalypt Leaves, SERF, 2024 (Image Keith Armstrong)
Maintenance
Replant plant losses when suitable.
6 -10 week Spray routines around plants and neighbouring woody weeds (dependent on local weather conditions and seasons)
Slash when required
Brush cut inter rows (when required)
Form prune to retain one leader when required (approx. 1st and 3rd month post planting)
Remove tree guards when tree is 3 x height of guard
The FAI project initiates a collaboration between ecological scientists, artists and land managers to conduct a forest regeneration processes, and over time use that forest’s growth to direct an experimental media arts practice. The central aim of the science is to effectively restore a previously cleared forest (using both active and passive techniques): and as that process develops create speculative artworks that can be seen to illuminate the ‘agency’ and ‘non-human intelligence’ of that re-growth process. These hybrid artworks should, in some way, have capacity to either actively or passively support those re-growth processes and present new ways to communicate, interpret & ‘narrativise’ ecological change at that site.
SERF’s Regional Ecosystem Map: (Image Dr.. David Tucker)
Two adjacent sites have been chosen at SERF for this project that are a total of 14199.305 square metres (1.42 hectares), and were likely logged decades ago.
Aerial image of the artwork sites at SERF – active and passive (Image Dr. David Tucker)
They comprise a grassy slope currently rich in native grass species and a seasonally wet gulley current overrun by weedy grasses dotted by occasional trees. Both sites most likely previously had a grassy understory similar to the adjacent existing forest. The methodology has involved assessing information about what was there beforehand from the pre-clearing data as well as examining remaining adjacent vegetation. The plan is to set in place a process to ultimately replicate prior densities for tree, shrub and ground layers. The objective is to use passive regeneration methods across a grassed slope area, and some assisted regeneration (using seedlings and weed control) in the wetter gulley area. Some of those original tree cover types may no longer available locally.
The ‘active’ artwork site at SERF (Image Dr. David Tucker)
The science component will be managed by QUT SERF scientists (David Tucker and Gabrielle Lebbink) supported and informed by TERN’s Eleanor Velasquez, with the growing and maintenance processes managed by SERF’s Marcus Yates. The arts component of the project will be directed by Keith Armstrong.
The ‘passive’ artwork site at SERF (Image Dr. David Tucker)
Eucalyptus tereticornis, Corymbia intermedia, E. crebra +/- Lophostemon suaveolens woodland on Mesozoic to Proterozoic igneous rocks).
We will encourage the transition process on this plot via selective slashing, mulching, weeding, and the introduction of fallen habitat trees & occasional selective planting under Marcus Yates management and with advice and input from Dr David Tucker, Marcus Yates, Dr. Gabrielle Lebbink and Dr. Eleanor Velasquez.
Site 2: Active regeneration area – grassed seasonal wet gulley area – was burnt in August 2023. 7035.658 sq. m actively managed plot – likely an ecotone associated with wet gullies RE12.3.6, which reflects the forest type further along the drainage line:(https://apps.des.qld.gov.au/regional-ecosystems/details/?re=12.3.6)
Melaleuca quinquenervia +/- Eucalyptus tereticornis, Lophostemon suaveolens, Corymbia intermedia open forest on coastal alluvial plains
Predominant weedy grass species in SERF active regeneration area gulley, Summer 2024 (Image Keith Armstrong)
Recommendations (Dr. Peter Young/Dr. David Tucker) include include staged plantings of a relatively simple mix of Emergent species (Eucalyptus tereticornis, (forest red gum, blue gum / red irongum), Corymbia intermedia (pink bloodwood), Corymbia tesselaris (Moreton Bay ash)) and Canopy species (Melaleuca quinquenervia (broad-leaved paperbark, paper bark tea tree), Melaleuca salicina (willow bottlebrush), Lophostemon sauveolens (Swamp Box, Swamp Turpentine) and Guoia semiglauca (guioa or wild quince) with the expectation that many of the subcanopy and shrub species will passively regenerate through the dispersal of seeds from birds, water, wind etc. following canopy closure and site capture from initial stage 1 planting. There is the potential for later infill planting if there are significant gaps
Active Site – Burn day, SERF, Samford, Image Keith ArmstrongActive Site – Burn day, SERF, Samford, Image Keith Armstrong
On 27th Feb, I accompanied one of my science collaborators Dr. Eleanor Velasquez – who is also our partner TERN’s (Terrestrial Ecology Research Network) Education Manager, to meet with her colleagues Arun Singh Ramesh, Lachlan Charles and Javier Sanchez Gonzalez <Zooming from Madrid> at TERN HQ @University of Qld Long Pocket, Brisbane.
Meeting the TERN team on and offline in Brisbane, Feb 2024 (Image Keith Armstrong)
The meeting was primarily to discuss the data access and visualisation facilities that TERN offer.
We discussed all of the following data types that may be available to us going forward : –
Overview of TERN processes (Image courtesy of TERN)
TERN Landscapes / Land Observatory engages in Environmental reporting using remote sensing that is consistent across all sites. “TERN’s Landscape Monitoring platform conducts environmental monitoring and landscape observation using remote sensing techniques to characterise and monitor Australian ecosystems over time at a landscape and continental scale. The platform also undertakes specific modelling and synthesis activities (for clients) to extrapolate and interpolate from observational data to produce modelled data products”.
TERN’s data discovery portal page
Data Types:
Vegetation Structure and Change – Land cover, seasonal fractional cover (bare, green and non-green cover), uses quarterly time scales (3-month)
Soil – soil physicochemical attributes, lithology, soil organic carbon, pH, water availability, etc.
TERN Landscape visualiser – in this case ‘pyrogeography’ readings (Image courtesy of TERN)
This area of their folio engages: Land cover dynamics and phenology (i.e. the study of cyclic and seasonal natural phenomena, especially in relation to climate and plant and animal life), Vegetation composition and diversity, Fire dynamics and impacts, Vegetation structural properties and Biomass, Field survey datasets, Airborne datasets, Corrected surface reflectance products and other environmental and landscape research data such as solar radiation, rainfall, and water vapour pressure.
TERN Ecosystem Surveillance This element of TERN’s capacity involves a range of measurement and recording types – such as the use of LIDAR to scan environments and the collection of CO2 data from Eddy Covariance flux towers. This area tracks the direction and magnitude of change in Australia’s environments over time, through sampling and surveying flora, soil and some invertebrates.
•Plot-based survey – uses 1ha plot
•Standardized protocol to monitor vegetation and soil attributes at plot-level (e.g. AusPlots)
•Surveillance monitoring for the Ecological Monitoring System Australia (EMSA) – DCCEEW
TERN Ecosystem Processes TERN’s Ecosystem Processes platform monitors the environment at a high level of detail at a small number of representative sites/key Australian biomes (called Super Sites) – of which TERN is one – categorised as a peri-urban site.
Micrometerorological and land-surface and atmospheric processes – Sensor and flux data
Random phenocam image of the artwork site from 2015 – (longer grass is the area that was burnt in 2023) (Image courtesy TERN)
Clearly these data set types offer a host of possibilities. The data set is predominantly numerical data although images also exist – and therefore suggests the need for computational analysis going forward.
At this stage the LIDAR data held, the historic data from SERF (e.g. the super site readings and the phenocams) and the atmospheric data may be of future interest to this project. I would expect further discussion in the future as more specific pointers to the need for such data may emerge. Thank you for the team at TERN and Dr. Eleanor Velasquez for making the visit so successful 🙂
Thrilled to begin this project – and to speak to some of the ideas and discoveries along the way – I trust it will be both a useful personal journal and of interest to others who may wish to engage in similar journeys 🙂
The Project Site :Image courtesy of QUT REF – Research Engineering Facility
Forest Art Intelligence (FAI) aims to understand how to develop art forms capable of growing and evolving alongside a regenerating forest, whilst also actively benefiting that forest’s health: in collaboration with Samford Ecological Research Facility (SERF) and the Terrestrial Ecosystem Research Network (TERN).
The extraordinary intelligences that underpin natural systems will inspire and direct the development of our experimental sci-art process. Our aim is to understand how to develop art forms capable of growing and evolving alongside a regenerating forest, whilst also actively benefiting that forest’s health. We envisage embedded artworks capable of slowly finding, and then occupying, their own intelligent ‘niches’, within the forest’s ecology – a speculative form we call an ‘Art Intelligence’.
Samford Ecological Research Facility Forest Edge (Image Keith Armstrong)
Our art+science team have secured unprecedented permission to restore a currently cleared block of land back to high conservation-value forest at the partner’s site, Samford Ecological Research facility (SERF). As the forest ecology slowly returns to health, we will investigate how to develop symbiotic, process-based artworks across that entire site. We imagine that these ‘Art Intelligences’, would be capable of growing & evolving with the forest whilst occupying their own intelligent, ecological ‘niches’ within that emerging forest – with the forest itself being the project’s ‘meta-artwork’.
Our project’s actions, & our on-site creations are therefore intended to directly benefit the forest through both ‘performing’ ecological functions, whilst also encouraging public engagement with the forest’s processes of intelligent natural regrowth.
